For the July 19th edition of the Westchester County Business Journal, I reported on Thom Collins leaving his post as director of Purchase College's Neuberger Museum of Art to become the new executive director of the Miami Art Museum. I've shared many pleasurable business lunches with Thom over the years and have always savored his wit and his far-ranging, quicksilver intelligence. I shall miss him terribly. But at the same time, I know this is a wonderful opportunity for him that comes at a time when that city is in the midst of building a $220-million Museum Park.
I have to say, though, that what struck me most about his departure was that it coincided with the LeBron James imbroglio. (The coincidence plays a role in the article and in Thom's pointed comments.)
There are some -- OK, very few -- similarities here. Both are going to Miami. And both worked in Ohio, Thom as chief curator of the Contemporary Arts Center there.
Reaction to their leave-takings has been very different. Everyone is sad to see Thom go but wishes him well. Whereas you would think James' first name was Jesse (as in the outlaw and Sandra Bullock's cheatin' ex-hubby.)
Why? In truth, the similarities are more extensive than they might appear to be. Both men are very talented. Both used their talents in service of their profession for a number of years in a particular locale. And both have decided after doing all that they could in their current assignments to seek professional challenges and fulfillment elsewhere.
Yet why is one a villain? The easy answer is that no one cares about art, which is, comparatively speaking, not the big money that sport is. Many of the infantile comments about James seem to suggest that because he has been paid so exorbitantly by the Cleveland Cavaliers he must remain chained there forever.
I wonder if these same bloggers would turn down a lucrative, creative job in an exciting market that would reunite them with old friends. By their reasoning, we should all remain precisely where we are, even, I guess, when the boss no longer wants us. (You can bet if the Cavs wanted to dump James, the word "loyalty" wouldn't enter the picture.)
The hard, complex truth is that all choice is about affirmation and rejection. In choosing for something or someone, you're choosing against something or someone else -- hence the words in the marriage vows "and forsaking all others".
James made a decision that CEOs, opera directors, conductors, museum executives and other high-profile, ambitious people make all the time: He chose to move on. It has nothing to do with how nice he is or isn't, how much money he makes or whether other cities desired his abilities. It has only to do with his own view of career fulfillment. He may not be the intellectual Thom is. But surely, he understands that his decision is mainly about business.
As for loyalty -- well, he hasn't abandoned his mother or sold secrets to the Russians, has he? Loyalty is a commitment to family and country. Often it's a one-way ticket that requires the sacrifice of the self.
Loyalty in business, however, is a two-way street. And considering how many workers in this economy have given their hearts to a job only to have it handed back crushed, it's looking more and more like a boulevard of broken dreams.
Wednesday, July 14, 2010
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